Suggested Reading for the Actor

On the Craft

An Actor Prepares, by Konstantin Stanislavsky

Actors on Acting, Edited by Toby Cole and Helen Krich Chinoy Twentieth Century Actor Training, Edited by Alison Hodge Respect for Acting, by Uta Hagen

How to Stop Acting, by Harold Guskin

The Power of the Actor, Ivana Chubbuck

Toward Mastery: An Acting Class with Nicos Psacharopoulos, by Nicos Psacharopoulos

Strasberg at the Actor’s Studio, by Robert H. Hethmon and Burgess Meredith

Acting: A Handbook of the Stanislavsky Method, by Lee Strasberg

The Invisible Actor, Yoshi Oida

Sanford Meisner on Acting, by Sanford Meisner, Dennis Longwell

Acting with Style, by John Harrop and Sabin R. Epstein

The Art of Film Acting, by Jeremiah Comey

Acting for the Camera, by Tony Barr

The Encyclopedia of Acting Techniques, by John Perry Acting: The First Six Lessons, by Richard Boleslavsky Loving To Audition, by Larry Silverberg

ON DEVISING and IMPROVISATION

Moment Work: Tectonic Theatre Project’s Technique for Devising Theatre, by Moises Kaufman and Barbara Pitts McAdams

Improvisation for the Theatre, by Viola Spolin

The Viewpoints Book, by by Anne Bogart and Tina Landau

Experimental Theatre: Creating and Staging Text, by Judy E. Yordon

Going Solo: Creating Your Own Dynamic One-Person Show, by Aaron Braxton

HISTORY, COMMENTARY, and THEORY

History of the Theatre, by Oscar Brockett and Frank Hildy The Empty Space, by Peter Brook

The Open Door, by Peter Brook

The Method: How the Twentieth Century Learned to Act; Isaac Butler True and False: Heresy and Common Sense for the Actor, by David Mamet Theatre, by David Mamet

ON VOICE AND SPEECH

Voice and Articulation, by Kenneth C. Crannell Speak with Distinction, by Edith Skinner Freeing the Natural Voice, by Kristin Linklater

Freeing Shakespeare’s Voice: The Actor’s Guide to Talking the Text, by Kristin Linklater

ON SHAKESPEARE

Shakespeare: The Invention of the Human, by Harold Bloom

Hamlet: Poem Unlimited, by Harold Bloom Will in the World, by Stephen Greenblatt Witches and Jesuits, by Garry Wills

1599: A Year in the Life of William Shakespeare, by James Shapiro

The Year of Lear: Shakespeare in 1606, by James Shapiro

REFERENCE

A Pronunciation Dictionary of American English, by John Samuel Kenyon and Thomas Albert Knott

Everyman’s English Pronunciation Dictionary, by A. C. Gimson and Daniel Jones

The Oxford Companion to American Theatre, by Gerald Bordman and Thomas S. Hischak

The Oxford Companion to American Musical Theatre: Theatre, Film, and Television, by Thomas

S. Hischak

Shakespeare Lexicon and Quotation Dictionary, Volumes I and II, by Alexander Schmidt

Shakespeare A to Z, by Charles Boyce

Asimov’s Guide to Shakespeare, by Isaac Asimov

MEMOIRS, AUTOBIOGRAPHIES, BIOGRAPHIES

Free For All: Joe Papp, The Public, and the Greatest Theatre Story Ever Told, by Kenneth Turan and Joseph Papp

Brecht on the Theatre: The Development of an Aesthetic, by Bertolt Brecht and John Willett

Stephen Sondheim: Finishing the Hat, by Stephen Sondheim

Stephen Sondheim: Look I Made a Hat, by Stephen Sondheim

COLLECTIONS

Out of Character: Rants, Raves, and Monologues from Today’s Top Performance Artists, by Eric Bogosian, Laurie Anderson, et al.

OTHER WORKS OF INTEREST

How To Stage a Greek Tragedy Today Building The Successful Theatre Company Zen in the Art of Archery

Imagine Higher Ground

Fearless Presenting

Concerning the Spiritual in Art, Wassily Kandinsky

Art and Intimacy: How the Arts Began, by Ellen Dissanayake

What is Art For?, by Ellen Dissanayake

Homo Aestheticus, by Ellen Dissanayake

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